One week of The Guardian: Friday

Yet another ‘One Day of The Guardian’ visu­al­i­sa­tion is com­plete. Todays visual illus­trates the sheer amount of words in the paper. I wanted to do some­thing like this, some­thing rather sim­ple, as after doing some research on word counts in books I found out that I could pretty much read a book from cover to cover in the time it would take me to read through two or three issues of The Guardian! That’s alot of words, how­ever they’re arranged.

Any­ways, I wanted this to be a pre­dom­i­nantly text based visual, using all of the words in the news­pa­per to make my point. I was inspired a lit­tle by the Bea­t­les Poster by Daniel Eatock, and the Motorolla 75th Anniver­sary poster by Fibre designs. As a friend said, “it kind of throws away the idea of a 32 page paper”. After he said that it hit me that every­day some lay­out designer(s) has to fit all of this infor­ma­tion into sec­tions, sub-sections, pages, and columns. The blocked details high­light some of the more impor­tant points behind the text.

One week of the Guardian: Friday Preview 1

One week of the Guardian: Friday Preview 2

One week of the Guardian: Friday Preview 3

Trust me when I say, there’s alot of this text! So much infact, Illus­tra­tor nearly died at try­ing to draw all the vec­tors when­ever I moved the page or zoomed in and out.

The Series

This is one day in a series that takes the news from one week of the Guardian news­pa­per, and visu­ally rep­re­sents it as a series of sta­tic visu­al­i­sa­tions. You may also be inter­ested in:

  • Mon­day — A typo­graphic and lay­out based piece pre­view­ing the con­tents of the paper as ingredients.
  • Tues­day — A list of head­lines con­tained in the paper illus­trated with ref­er­ences to the arti­cle or subject.
  • Wednes­day — A polar graph inspired lay­out map­ping the sto­ries and cat­e­gories on colour coded con­cen­tric circles.
  • Thurs­day — A con­tent map show­ing the rela­tion­ships between infor­ma­tion inside of a cir­cu­lar container.
  • Fri­day — A text heavy piece high­light­ing the sheer amount of infor­ma­tion con­tained within in the paper.
  • Sat­ur­day — A grid based typo­graphic piece, show­ing pat­terns and author rela­tion­ships through the paper.
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One week of The Guardian: Thursday

This one’s been a long time com­ing let me tell you! It’s been sat on my com­puter fin­ished for almost two weeks now, and I feel really good it’s finally pub­lished, like a weight’s been lifted.

This visual was pretty much focused on the rela­tion­ships cre­ated between head­lines, authors, pages, and cat­e­gories. I wanted to see how much of a mess the rela­tion­ships could make if they were all sur­round­ing one con­tainer (like the square graphs we drew as chil­dren, link­ing adjoin­ing sides by straight lines to cre­ate beau­ti­ful sym­met­ri­cal per­spec­tives). It’s pretty easy to work out. The only thing you might need to know is that the weight of the lines are pro­por­tion­ate to the word count of each story. Sticky icky yummy yummy!

One week of the Guardian: Thursday Preview 1

One week of the Guardian: Thursday Preview 2

One week of the Guardian: Thursday Preview 3

One week of the Guardian: Thursday Preview 4

One week of the Guardian: Thursday Preview 5

The Series

This is one day in a series that takes the news from one week of the Guardian news­pa­per, and visu­ally rep­re­sents it as a series of sta­tic visu­al­i­sa­tions. You may also be inter­ested in:

  • Mon­day — A typo­graphic and lay­out based piece pre­view­ing the con­tents of the paper as ingredients.
  • Tues­day — A list of head­lines con­tained in the paper illus­trated with ref­er­ences to the arti­cle or subject.
  • Wednes­day — A polar graph inspired lay­out map­ping the sto­ries and cat­e­gories on colour coded con­cen­tric circles.
  • Thurs­day — A con­tent map show­ing the rela­tion­ships between infor­ma­tion inside of a cir­cu­lar container.
  • Fri­day — A text heavy piece high­light­ing the sheer amount of infor­ma­tion con­tained within in the paper.
  • Sat­ur­day — A grid based typo­graphic piece, show­ing pat­terns and author rela­tion­ships through the paper.
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One week of The Guardian: Wednesday

UPDATE: This post has been updated on 05 April 2008.

This visual has been mod­i­fied from its orig­i­nal ver­sion. The logo has been amended, and intro­duc­tion infor­ma­tion has been added.

Well yet another day is com­plete. When there’s lit­tle dis­trac­tion I really enjoy crank­ing these visu­als out. Look­ing at it now, in some ways the result kind of reminds me of a ‘70s pinball-esque, dark side of the moon album cov­ered hard drive. Schweeet!

The orig­i­nal idea was inspired by look­ing at polar graphs, and fig­ur­ing out a way to max­imise the amount of data I could plot on it. The con­cen­tric cir­cles are news cat­e­gories, expand­ing from least to most total word counts per cat­e­gory. The indi­vid­ual word counts of each story are plot­ted on the cor­re­spond­ing con­cen­tric cir­cle, on a spoke of the cor­re­spond­ing page. The rest I’m sure you can fig­ure out. Pretty no?

One week of The Guardian: Wednesday preview 1

One week of The Guardian: Wednesday preview 2

One week of The Guardian: Wednesday preview 3

One week of The Guardian: Wednesday preview 4

One week of The Guardian: Wednesday preview 5

One week of The Guardian: Wednesday preview 6

One week of The Guardian: Wednesday preview 7

Mmm.… Taste the rainbow!

Expand­abil­ity!

As I was mak­ing this one, I was think­ing that if it were pulling live data (like RSS/XML or pulling direct from some news data­base), it would be rather nice to tile the days. Each day is rep­re­sented by one set of con­cen­tric cir­cles, and each cat­e­gory in the cir­cle is linked to its equiv­a­lent cat­e­gory for dif­fer­ent days, each link­ing to every­one else in a par­al­lel fash­ion. Mmm… link­age. Any­ways, it’s just a thought.

One week of The Guardian: Wednesday idea

One week of The Guardian: Wednesday idea 2

I’m imag­in­ing a HUGE set of these sta­tic visu­als on a gallery wall for one whole year. Damn that would be cool.

The Series

This is one day in a series that takes the news from one week of the Guardian news­pa­per, and visu­ally rep­re­sents it as a series of sta­tic visu­al­i­sa­tions. You may also be inter­ested in:

  • Mon­day — A typo­graphic and lay­out based piece pre­view­ing the con­tents of the paper as ingredients.
  • Tues­day — A list of head­lines con­tained in the paper illus­trated with ref­er­ences to the arti­cle or subject.
  • Wednes­day — A polar graph inspired lay­out map­ping the sto­ries and cat­e­gories on colour coded con­cen­tric circles.
  • Thurs­day — A con­tent map show­ing the rela­tion­ships between infor­ma­tion inside of a cir­cu­lar container.
  • Fri­day — A text heavy piece high­light­ing the sheer amount of infor­ma­tion con­tained within in the paper.
  • Sat­ur­day — A grid based typo­graphic piece, show­ing pat­terns and author rela­tion­ships through the paper.
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Visualisations and infographics

I’m about to start the third visu­al­i­sa­tion for my One Week of The Guardian series, and I’ve been look­ing through my research on sta­tic visu­al­i­sa­tions and info­graph­ics research. Some of these visu­als are really very beau­ti­ful, so I’m about to share. Enjoy.

Visualisations and infographics 1

The NYTimes has a nice clean info­graphic on what the pres­i­den­tial can­di­dates have raised and spent.

Visualisations and infographics 2

Another one from the NYTimes, this one shows the fatal­i­ties of a year in Iraq. The NYTimes has alot of really nice info­graph­ics. Alot.

Visualisations and infographics 3

The black holes of the inter­net. Very nice.

Visualisations and infographics 4

The Econ­o­mist has an info­graphic about how the world con­sumes petrol per day.

Visualisations and infographics 5

A series of info­graph­ics cre­ated by Clarence Larkin using bib­li­cal data to explain var­i­ous reli­gious concepts.

Visualisations and infographics 6

Inter­ac­tive info­graphic on Portfolio.com show­ing the gen­eros­ity of coun­tries who give aid to char­ity around the world.

Visualisations and infographics 7

Another religous visu­al­i­sa­tion, this time by Chris Har­ri­son.

Visualisations and infographics 8

An Amer­i­can Self Por­trait by Chris Jor­dan uses photo com­po­si­tions to depict sta­tis­ti­cal goings on in every­day America.

Visualisations and infographics 9

Death and Taxes shows the allo­ca­tion of fed­eral taxes in the US to it’s divi­sions and organ­i­sa­tions who claim over $200m annually.

Visualisations and infographics 10

Dugg Ana­lyt­ics uses the Dig­gAPI to visu­alise a bunch of dif­fer­ent data from Digg.com.

Visualisations and infographics 11

Eski­moblood has a pretty nice visu­al­i­sa­tion of Flickr group mem­bers built with Pro­cess­ing.

Visualisations and infographics 12

Rad­i­cal­Car­tog­ra­phy shows a map of the crops in the US.

Visualisations and infographics 13

Billy­Bob has a nice lit­tle chart of what hap­pened dur­ing a 30 minute CNN broadcast.

Visualisations and infographics 14

I love these sta­tic rela­tion­ship visu­al­i­sa­tions by Mark Lom­bardi.

Visualisations and infographics 15

Tuur Van Balen has a nice visu­al­i­sa­tion project where actual items are mapped onto a plan of a city.

Visualisations and infographics 16

Skin colour map of the world. Sim­ple but nice.

Visualisations and infographics 17

Another visu­al­i­sa­tion from the NYTimes, this one shows the prof­itabil­ity of movies at the box office.

Visualisations and infographics 18

Pres­i­den­tial Watch ’08 has a nice map of polit­i­cal blogs and how they link to one another.

Visualisations and infographics 19

Ian Dapot visu­alises The Force of Things by author rela­tion­ships and ideas.

Visualisations and infographics 20

And lastly, a nice lit­tle pyramid/hierarchy of zom­bie needs.

Other data visu­al­i­sa­tion finds

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One week of The Guardian: Tuesday

UPDATE: This post has been updated on 05 April 2008. The orig­i­nal con­tents of this post can be found in this text file.

This visual has been mod­i­fied from its orig­i­nal ver­sion. The back­ground has been changed (taken from a very light grey to a very dark grey/black) to be con­sis­tent with the over­all style. Illus­tra­tions have been tweaked to appear bet­ter on the darker back­ground. Noth­ing else has been changed.

Today’s visual lists all of the head­lines to appear in The Guardian for Feb­ru­ary 19th 2008, and sized them accord­ing to their word count for each arti­cle. Some of the more impor­tant words, words that describe par­tic­u­lar actions, or names of peo­ple or places have been illus­trated in order to more effec­tively com­mu­ni­cate the head­line. (Although the plain one is really really nice too!)

What I wanted to show was just how many sto­ries are in The Guardian news­pa­per, and high­light some of the more mean­ing­ful words. There are alot, aver­ag­ing at around 60 sto­ries a day, plus change on the week­end edition.

One week of the Guardian: Tuesday Preview 1

One week of the Guardian: Tuesday Preview 2

One week of the Guardian: Tuesday Preview 3

One week of the Guardian: Tuesday Preview 4

One week of the Guardian: Tuesday Preview 5

One week of the Guardian: Tuesday Preview 6

One week of the Guardian: Tuesday Preview 7

The Series

This is one day in a series that takes the news from one week of the Guardian news­pa­per, and visu­ally rep­re­sents it as a series of sta­tic visu­al­i­sa­tions. You may also be inter­ested in:

  • Mon­day — A typo­graphic and lay­out based piece pre­view­ing the con­tents of the paper as ingredients.
  • Tues­day — A list of head­lines con­tained in the paper illus­trated with ref­er­ences to the arti­cle or subject.
  • Wednes­day — A polar graph inspired lay­out map­ping the sto­ries and cat­e­gories on colour coded con­cen­tric circles.
  • Thurs­day — A con­tent map show­ing the rela­tion­ships between infor­ma­tion inside of a cir­cu­lar container.
  • Fri­day — A text heavy piece high­light­ing the sheer amount of infor­ma­tion con­tained within in the paper.
  • Sat­ur­day — A grid based typo­graphic piece, show­ing pat­terns and author rela­tion­ships through the paper.
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Mid term review

Today I have a mid term review, of which the require­ments are:

  • A very short state­ment about the work
  • An image of 1024x768 AND 2048x1536 for pub­lic­ity for the show
  • Your project work
  • A pre­sen­ta­tion about the project includ­ing back­ground, con­tex­tual and the­o­ret­i­cal research, what I am mak­ing, how I am mak­ing it, why I am mak­ing it
  • Sketch­books and/or work­ing notes and files
  • 2x printed A2 storyboards

To make things eas­ier for me to remem­ber, and also help with the pre­sen­ta­tion, I’m gath­er­ing up every­thing required into one post.

A short state­ment about the work

DTN is a series of exper­i­ments which visu­ally explore the news in var­i­ous ways to encour­age new ways of see­ing a pre­dom­i­nantly text based medium.

Pub­lic­ity images

For the pub­lic­ity images for the show, I chose to use the boat image for a head­line about pol­lu­tion as I feel it best sums up what I am try­ing to show. It is a graph­i­cal rep­re­sen­ta­tion of a head­line, which shows sub­tle details of the story in the composition.

Publicity S

Your project work

The Design­Lab show­cases all of the com­pleted work so far, con­tained in posts which describe how and why I did what I did for each piece of work.

Research and theory

Back­ground: When I started the project my ini­tial idea was to cre­ate a piece of art­work every 1–2 days based on what was in the news­pa­pers. When my project expanded, I tried to decide what I wanted to say with each image, with the style and the amount of detail.

Even­tu­ally I wanted to cre­ate some visu­al­i­sa­tions of the news. When I researched into visu­al­i­sa­tions, I dis­cov­ered alot of what I was plan­ning to do had already been done before, and didn’t feel the need to re-invent the wheel. As I still wanted to exper­i­ment with visu­al­i­sa­tions, I decided to look into sta­tic visu­al­i­sa­tions. Extract­ing infor­ma­tion out of a news­pa­per for a spe­cific period of time, one week, and cre­at­ing a series of sta­tic visu­al­i­sa­tions focus­ing on the weight of the story, the con­tent and theme, the author, the posi­tion it appears in the paper, the cat­e­gory, and more.

Research: For the illus­trated images I have been mainly look­ing at dif­fer­ent graphic styles and ways of reduc­ing infor­ma­tion into its most sim­ple form. To take a headline/story and rep­re­sent it as a sin­gle image with­out the mes­sage being lost is alot about tak­ing the strongest most impor­tant points of a story, and focus­ing on com­mu­ni­cat­ing them. With my exper­i­ments I have found that over com­pli­cat­ing the image with too many ele­ments often mis­leads the mes­sage, as the end user ends up focus­ing on some insignif­i­cant detail rather than the main message.

For the sta­tic visu­al­i­sa­tions, I’ve been look­ing alot at dynamic visu­al­i­sa­tions and how they work, what kind of visu­al­i­sa­tions they pro­duce. Edward Tufte’s book ‘Envi­sion­ing Infor­ma­tion’ has some inter­est­ing ways of map­ping com­plex data, and alot of nau­ti­cal maps hold some excel­lent ideas too. Cur­rently I’ve been work­ing on weight­ing cat­e­gories and items in news, and sim­pli­fy­ing the paper. From the sta­tis­tics col­lected so far, even with­out them being visu­alised, there are inter­est­ing trends to be noticed and fur­ther developed.

What I am mak­ing: A series of exper­i­ments which encour­age new ways of visu­al­is­ing a pre­dom­i­nantly text based medium. The visu­als look at reduc­ing and expand­ing news to give either a ‘quick mes­sage hit’, or fur­ther insight into a headline/story. Pre­sented as desk­top wall­pa­pers and posters, the images are intended to be used as accom­pa­ni­ment to news­pa­per arti­cles to encour­age a wider audi­ence to dialect about a sub­ject more than a stand­alone arti­cle might.

How I am mak­ing it: As the work I’m doing is very graph­i­cal, the pro­grams I’ve been using are mainly Pho­to­shop, Illus­tra­tor, and InDe­sign. For some of the visu­al­i­sa­tions, I’ve been col­lect­ing sta­tis­tics by updat­ing a spread­sheet in OpenOf­fice, and then using some online tools such as ManyEyes by IBM to see how the data works in a stan­dard dynamic visual.

Why I am mak­ing it: Some­times a head­line isn’t enough to attract a reader to an arti­cle, and images are used to give a reader fur­ther insight and set the scene. I thought that if I could rep­re­sent the most impor­tant ele­ments of the arti­cle in a sin­gle image, whether the reader actu­ally read the arti­cle wouldn’t mat­ter, as they would know by look­ing at the image what the arti­cle was about.

Depend­ing on the com­plex­ity of the image, a quick look at the image may offer a user one or two impor­tant points. A longer look may offer a user an idea of how the images’ ele­ments are inter­act­ing with one another, giv­ing a visual pic­ture of how the head­line comes together. For some of the more detailed images, sub­tle arti­cle details are embed­ded only to be noticed by those who take an engaged approach to under­stand­ing the composition.

For the sta­tic visu­al­i­sa­tions, I thought it was inter­est­ing to cap­ture a moment in time, instead of hav­ing a dynamic visual which changes when­ever a new story is pub­lished. As I didn’t know what would hap­pen in the one week I recorded the data, it was quite inter­est­ing to think what could have hap­pened. For exam­ple, if this project was con­ducted in the week of Sep­tem­ber 3, 1939, it would have recorded the date when Eng­land and France declared war on Ger­many, or any other sig­nif­i­cant date in his­tory. How­ever, if a major event like this had hap­pened it wouldn’t have given a true account of what hap­pens in the news the rest of the time. Hav­ing a rather major event free news week means the spread of news top­ics would be on aver­age the same as any other day of the year, giv­ing a clearer pic­ture of what the news is in the UK dur­ing this time.

Sketch­books and/or work­ing notes and files

I have a hell of a lot of notes and idea sketch­ing which I’m not scan­ning in or post­ing. Mainly because if I did you wouldn’t be able to deci­pher my chicken scratch anyhow.

Printed A2 Storyboards

The sto­ry­boards can be pre­viewed in PDF for­mat by click­ing on the images below. They very briefly explain the project, and show­case some of the work com­pleted so far.

March_1 S


March_2 S

UPDATE: After the review

Well I had my review the other day. All seemed to go pretty well. On the whole it helped me to clar­ify a few things.

  • What func­tion does the project serve? The project is about visu­ally edit­ing head­lines, sto­ries, and news­pa­pers to try to com­mu­ni­cate what the sub­ject is about more effec­tively. Images which appear with news sto­ries are usu­ally there to set the scene or give iden­tity to a char­ac­ter, but what I am try­ing to do is merge the text and the images into one com­po­si­tion which com­mu­ni­cates the facts, and removes the opin­ion and the unclear.
  • What are the out­comes? Two main strands of work: Visu­ally edit­ing indi­vid­ual news head­lines, and cre­at­ing sta­tic visu­al­i­sa­tions of news­pa­pers as a whole. The head­lines will be pre­sented as desk­top wall­pa­pers and post­cards, and the sta­tic visu­al­i­sa­tions will be printed as large for­mat posters.
  • Why sta­tic visu­als and not dynamic? There are many other exist­ing projects that cre­ate dynamic visu­als. For exam­ple, the ManyEyes visu­al­i­sa­tions I cre­ated show the data but not styled in the con­text of the sub­ject. A par­tic­u­larly bad week of news with lots of mur­der and vio­lence may be dynam­i­cally coloured in bright happy colours, not rep­re­sen­ta­tive of the sto­ries. Plus I don’t want to auto­mate the process. There is a human edi­tor at the top of the news­pa­per hier­ar­chy who decides what goes in a paper and what doesn’t, so I want to become the visual edi­tor decid­ing what best com­m­mu­ni­cates the story in terms of image compositions.
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One week of The Guardian: Interactive visuals

Since I put together the One Week of The Guardian sta­tis­tics, I’ve been play­ing alot with sketch­ing up alot of sta­tic visu­als. I’ve also been play­ing around with some inter­ac­tive visu­als using the ManyEyes visu­al­i­sa­tion soft­ware. I ended up with some really cool results.

Bub­ble chart by days, sized by total word count, coloured by cat­e­gories. Shows the total num­ber of words in the seper­ate cat­e­gories for the day.

Matrix graph by day and cat­e­gory, coloured by head­lines. Breaks down the sto­ries in each cat­e­gory by day.

Rela­tion­ship graph of authors by day. Shows what authors appeared in the paper for the day.

Word count by page num­ber. Shows the most pop­u­lar loca­tions of where the big­ger arti­cles appear in the pages of The Guardian.

Total cat­e­gories by per­cent­age for the week. Shows a typ­i­cal week of the Guardian by the cat­e­gories of news it prefers to print.

Thoughts

Some of these are nice, and the inter­ac­tiv­ity can be fun for a get­ting into some of the more nitty gritty details, but none of them really car­ries any emo­tion. Show­ing a mur­der story as a bright shiny piece of a pie doesn’t really do it justice.

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Simplification: Hogarth’s Gin Lane

I’ve had this record­ing for a while now and I think it’s about time to get it posted. Back before Christ­mas The One Show had a fea­ture on Gin, and in it was an expla­na­tion of ‘Gin Lane’, an engrav­ing by William Hog­a­rth, 1751. I’m not going into too much detail on why it was an impor­tant image for the time but Wikipedia has more info on the subject.

Gin Lane took one of the most talked about sub­jects of the time, and boiled it all down to one image which told all of the story. In the image there are three sig­nif­i­cant build­ings; a dis­tiller, a pawn­bro­ker, and an under­tak­ers, which rep­re­sen­tated the path the Gin drinkers were on.

Gin Lane S

Quick image analysis

Most strik­ing is the image of the woman on the steps, intox­i­cated and unable to take care of her child. To the right of this woman is a man who looks ill and hun­gry, yet he’s clutch­ing a bot­tle of Gin. Up from the man looks to be a woman who is giv­ing her baby Gin. Just up from that, the crowd are hav­ing to be beaten back from the dis­tillers by a man with a broom. Above the dis­tillers shows a cut away of a build­ing where we can see a man has hanged him­self, and fur­ther down the street a build­ing which looks about ready to col­lapse. We can only assume that the Gin addic­tion these peo­ple are going through has relieved them of all sense and respon­si­bil­i­ties. In the back­ground peo­ple are being mea­sured up for coffins in the street, pre­sum­ably because the under­tak­ers are too full to mea­sure up inside, and in the left hand fore­ground, peo­ple sell­ing their poses­sions in order to buy more Gin.

Thoughts

This image is pretty much doing back then what news­pa­per car­toon­ists are try­ing to do today, only with todays car­toon­ists they usu­ally have a very small space to fill and can get nowhere near as much detail as Hog­a­rth did. Some­thing I’m going to look into after I get the One Week of The Guardian out of the way is to look more into sim­pli­fy­ing com­plex sub­jects with images.

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One week of The Guardian: Monday

UPDATE: This post has been updated on 05 April 2008. The orig­i­nal con­tents of this post can be found in this text file.

Well here’s ver­sion 2 of Monday’s edi­tion. I like to think of this as 1.0, and the pre­vi­ous was just the beta. Soft­ware gets beta’d all the time, why can’t posters?

Any­ways, I felt I ‘copped out’ a bit on the first effort. I think it had a strong mes­sage, but I don’t think it was being com­mu­ni­cated in the best way pos­si­ble. A bit of typog­ra­phy and a wee jig­gery pok­ery and here we are.

One week of the Guardian: Monday Preview 1

One week of the Guardian Preview 2

One week of the Guardian Preview 3

One week of the Guardian Preview 4

And there’s a story behind the nutri­tional infor­ma­tion bit. I was watch­ing a pro­gramme on the BBC about Britain’s addic­tion to microwave meals, and how peo­ple would stand in the super­mar­kets and read the whole pack­ets of the meals before decid­ing if they wanted to put that in their mouths or not. Well why not with infor­ma­tion? I think with infor­ma­tion as with food, some ingre­di­ents are bet­ter than others.

The Series

This is one day in a series that takes the news from one week of the Guardian news­pa­per, and visu­ally rep­re­sents it as a series of sta­tic visu­al­i­sa­tions. You may also be inter­ested in:

  • Mon­day — A typo­graphic and lay­out based piece pre­view­ing the con­tents of the paper as ingredients.
  • Tues­day — A list of head­lines con­tained in the paper illus­trated with ref­er­ences to the arti­cle or subject.
  • Wednes­day — A polar graph inspired lay­out map­ping the sto­ries and cat­e­gories on colour coded con­cen­tric circles.
  • Thurs­day — A con­tent map show­ing the rela­tion­ships between infor­ma­tion inside of a cir­cu­lar container.
  • Fri­day — A text heavy piece high­light­ing the sheer amount of infor­ma­tion con­tained within in the paper.
  • Sat­ur­day — A grid based typo­graphic piece, show­ing pat­terns and author rela­tion­ships through the paper.
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DesigningTheNews.com + CSS Galleries = Traffic!

Ooooh well. Over the past cou­ple of days there’s been a rather large surge of vis­i­tors to the site, thanks to the read­ers of some of the inter­nets’ best web design and css gal­leries! Seen as though this site is part of a uni­ver­sity project, and I’m hop­ing to get a good mark at the end of this, I fig­ured I’d cre­ate a post list­ing all of the gal­leries on the web this site is fea­tured on. It’d be nice if a few of you vis­i­tors left a com­ment and let me know what you like, and what you don’t about the site.

The van­ity list

Will be updated as and when the site makes it’s way around the net. As of 18 Apr 2008:

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